An elastic belt has no holes and no notches to line up. The band stretches, sits where you put it, and stays there. Two very different things share this page: fancy belts built around a metal buckle, and plain synthetic accordion belts with a fine pleat running the whole length. The buckle is what you notice first, so start there and let the colour follow.

Every elastic belt in the range, buckle by buckle

Where an elastic belt actually sits

Over a floaty dress, a tunic or a long jumper, the stretch band marks the waist without digging into the fabric. That is where it earns its place. Over high-waisted jeans it goes above the trouser waistband and replaces the usual strap, as long as you accept that it will not thread through the loops. None of these models adjusts notch by notch, so putting one on works differently from a buckle belt: you step into it or pull it down over your shoulders, then slide it to the height you want. When you need a strap that holds its shape and closes in the same spot every time, look at the braided and studded versions in the wider belt range.

Colours beyond black

The accordion styles carry most of the colour: seafoam green, sky blue, blue jeans, Brazil green, khaki, bright orange and dark taupe. The buckled side leans warmer, with mustard, camel, brown, beige, dusty pink and grey alongside the black. A quick rule of thumb: a plain belt wins when the dress is already patterned.

Buckles and ornaments on these elastic belts

The buckle does all the talking. A large gold-tone shape reads from across a room and takes over the outfit, while a neat square one simply closes the belt and stays quiet. The width of the band usually follows the ornament.

What sits at the front of each style
Plain buckleSquare or rounded, gold-tone or silver-tone.The safe choice under a jacket, and the one that dates the least.
Oversized buckleWide gold-tone shapes, sometimes with a design cut into them.Enough on its own. Keep the rest of the outfit calm.
Antique finishWorn gold or silver tones over an embossed relief.Warmer than bright metal, easy with brown and camel.
Studs and rivetsSilver studs set into the band itself.Adds a bit of edge to a plain dress or to jeans.
Pearls, chain and coinsA row of pearls, a hanging chain or linked round discs.Reads as jewellery rather than hardware.

Gold tone or silver tone

Gold is by far the most common finish here, from bright yellow to a worn tone that catches in the relief. Silver turns up mainly on the studded models and on one patinated metal buckle. One habit saves a lot of hesitation: match the buckle to your jewellery rather than to your clothes. If you already wear gold or silver pieces, the belt falls into line on its own.