Mode Tendance, Click here to understand delivery to the United States, Australia and United Kingdom
English GB
A pair of full-figure nutcracker earrings, 5.5 cm tall, drawn in gold-tone metal and hand-painted enamel. The black shako crown is studded with pink and violet rhinestones, the ivory face is centred, the red uniform jacket is trimmed with rows of white rhinestones and three turquoise rhinestone buttons, the black belt cuts across the waist, and the gold-tone boots are lined with small pink rhinestones. Pierced ears. A small wearable nod to the Tchaikovsky ballet and the Christmas pageant tradition.
The nutcracker has been a recurring figure of Christmas iconography since the Tchaikovsky ballet, and a recurring shape in costume jewellery since at least the 1980s. This pair takes the full-figure approach (standing soldier rather than a tight head shot) and dresses it in a richly detailed uniform: a black shako crown studded with small pink and violet rhinestones (the regimental plume), an ivory enamel face with painted features, a red uniform jacket trimmed with horizontal rows of small white rhinestones and three turquoise rhinestone buttons running down the centre, a black enamel belt at the waist, and gold-tone boots lined with small pink rhinestones. Each earring stands 5.5 cm tall and sits on a pierced-ears post.
The pair reads as part of the "Christmas pageant" register rather than the cosy-cabin one: more nutcracker on the mantelpiece, more Royal Opera House Tchaikovsky than chunky knit by the fire. The multicolour rhinestone work (pink, violet, white, turquoise) keeps the design from reading as a monochrome military toy and shifts it firmly into festive jewellery territory. On the lobe, the gold-tone outline catches the light and the rows of rhinestones extend the sparkle vertically, which lengthens the face.
Three placements where these nutcrackers really deliver: with a black or burgundy party dress for a Christmas dinner, where the multicolour rhinestones become the only colour anchor; with a sequin top and dark tailored trousers for a New Year evening, where the small turquoise buttons coordinate with the sequins; before a Christmas ballet or opera evening (a Nutcracker performance, for example), where the pair is a quiet hat-tip to the show. Wider Christmas accessory ranges: Christmas and costume jewellery.
Body: gold-tone-plated zinc alloy. Enamel: hand-painted red uniform, ivory face, black shako and belt, sealed against dust and minor abrasion. Rhinestones: small multicolour glass crystals (pink, violet, white, turquoise) glued individually into cup settings. Post: nickel-low stainless steel for pierced ears. Care: keep dry, store flat in a soft pouch separate from other metal jewellery to avoid loosening the rhinestones, wipe with a dry microfibre cloth.
| Dimensions | 5.5 cm tall per earring |
|---|---|
| Material | Gold-tone-plated zinc alloy, hand-painted enamel, multicolour glass rhinestones |
| Design | Full-figure nutcracker with multicolour rhinestone shako crown, red uniform with white-rhinestone trim and turquoise buttons, gold boots |
| Fastening | Stainless steel post for pierced ears |
| Occasion | Christmas dinner, party, Nutcracker ballet, gift |
Yes, indirectly. The full-figure standing nutcracker shape is the visual the ballet popularised in the 19th century and which became standard Christmas iconography in the 20th. The pair works particularly well as a small wearable nod for an evening at a Nutcracker performance.
The rhinestones are glued individually into cup settings, which is the standard technique in fashion jewellery. Hard knocks against metal can dislodge one over the years; storing the earrings in their own pouch and avoiding heavy handling extends their life.
The post is stainless steel kept low in nickel, which suits most wearers with sensitive ears. For a strict nickel allergy, a short trial wear of one hour is recommended before a full evening.
Data sheet