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A camouflage print worked in royal blue, turquoise and near-black navy, with patches of sand to open it up and a fine gold line tracing some of the shapes.
The polyester is matte rather than silky, so it gathers into narrow pleats at the neck and hangs straight. It measures 90 x 180 cm.
Hold it up to the light and there is no sheen at all. The finely woven, matte polyester keeps the blues flat and saturated instead of bouncing light back the way a satin would. That shows once it is on: the fabric gathers into narrow vertical folds at the neck, and the two ends hang straight down the front rather than springing back out. Under a coat collar it stays where you put it.
The shapes are camouflage, but the colouring belongs nowhere near a uniform. Royal blue takes the widest patches, turquoise slips in between them, and a navy deep enough to read as black anchors the contrast. Patches of sand break the whole thing open, and a thin gold line follows some of the edges. The rectangle measures 90 x 180 cm, long enough to wrap twice and wide enough to wear open. If you are still weighing up prints, the women's scarf range holds plenty of others.
A print this busy needs a quiet background. Black is the safe answer and lets the blues take over the outfit. Indigo denim goes the other way: it sits in the same colour family and softens the contrast rather than sharpening it. Cream and camel pick up the sand patches instead. Once the mornings turn cold this weight stops being enough, and it is time for the heavier winter scarves.
| Fabric | Polyester |
|---|---|
| Size | 90 x 180 cm |
| Pattern | Camouflage with gold outlines |
| Colours | Royal blue, turquoise, navy, black, sand and gold |
Polyester asks very little. Wash it at 30°C, by hand or on a delicate cycle, and keep it out of the tumble dryer. Creases usually drop out on their own; when one refuses, a low-temperature iron will settle it. Hang it over a rail rather than stacking it under other pieces in a drawer, and it comes out ready to wear.
Data sheet