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Cream and burgundy tassels weight each end, so the two lengths hang straight instead of riding back up. Between them the cloth is printed edge to edge with pointed arabesque medallions, outlined in white and set in close rows.
The colours run from pale pink through fuchsia to a deep burgundy, on a cream ground. At 110 x 180 cm there is enough of it to wrap once and still let both ends fall, or to open out across the shoulders.
At 110 x 180 cm this is a long scarf rather than a square, and the difference shows the moment you put it on. One turn around the neck holds it in place, with enough fabric left for both ends to hang to mid-chest. Opened out, it covers the top of the back like a light stole. There is no folding step either: a square has to be turned into a triangle or a band first, while this one goes on and you arrange it afterwards. The scarf section lists squares and long shapes side by side with their measurements, which makes the formats easy to compare.
The pattern runs edge to edge, with no plain border to break it. Pointed medallions sit in tight rows, each ringed by a white outline that keeps them separate. The colours move from pale pink through fuchsia to a deep burgundy, and a cream ground runs between the rows so the whole thing stays light rather than heavy.
Both ends finish with cream and burgundy tassels. They add just enough weight for the two lengths to hang straight instead of riding back up towards the shoulder, and they stay in view when the scarf is tied short under the chin.
A 100% cotton weave is breathable, which is what makes this one wearable indoors and on mild days without getting stuffy. It also creases where it is knotted, and those marks drop out once the scarf hangs loose for a while. Expect it to soften after the first wash rather than before it.
| Composition | 100% cotton |
|---|---|
| Measurements | 110 x 180 cm |
| Shape | Long rectangle, tied or draped |
| Pattern | Arabesque medallions in close rows |
| Colours | Pale pink, fuchsia, burgundy and cream |
| Finish | Tassels at both ends |
Burgundy is the easy anchor here. Navy, raw denim, camel and cream all let the print carry the outfit without competing with it. If the top half is already patterned, keep what sits under the scarf plain and let the arabesques do the work near the face. The pale pink opens up a quieter option: pick it up again in a jumper, a lining or a bag and the look holds together without matching outright.
Give it a 30°C wash on a delicate cycle, or do it by hand if you prefer. Dry it flat and out of direct sun, since long exposure is what dulls the brighter pinks first. If the fabric has held a crease, press it on the reverse with a cool iron and work around the tassels. The tassels take longer to dry than the cloth, so shake them out and leave them hanging clear of the fold.
Data sheet