A geometric statement necklace by Ikita: five enamel triangles in a fuchsia-to-coral-to-red gradient, each flanked by small polished silver triangle connectors. The colour shift across the row reads warm and contemporary, halfway between Memphis design and Mexican folk modernism. Silver-tone chain settles the row across the upper chest with a clean horizontal line.
A summer-into-autumn piece that pops against white linen, denim shirts and stone-coloured tailoring. The 20 cm base length plus 8 cm extension keeps the triangles at choker height for high necklines or extends to sit just over a boat-neck collar.
This Ikita geometric necklace aligns five enamel triangles along a single chain row, separated by smaller polished silver triangle connectors that catch light between the colour blocks. The five main triangles run a warm gradient: fuchsia-and-violet on the outer pair, coral-and-red in the middle pair, and a deeper red-orange at the centre apex. The polished silver triangles between them act as brackets, isolating each colour block while keeping the visual rhythm tight. The enamel surfaces are smooth-poured rather than textured, giving the colour a wet, slightly translucent quality.
Geometric pieces in warm colour need a clean canvas to read at their best. A white linen shirt with the necklace just under the collar lets the triangles act like an embroidered yoke detail. A denim shirt with the row above the collarbones brings out the fuchsia against indigo. For evening, a stone-coloured silk camisole with the necklace as the only accessory lets the colour gradient drive the look. The horizontal layout suits boat necks and bardot tops particularly well, where the row sits as a parallel to the neckline.
From Mary Quant's 1960s graphic accessories through Tatty Devine's playful 2000s acrylic pieces and Lola Rose's contemporary enamel revival, colour-block geometric jewellery has an unbroken British thread. A piece like this Ikita necklace fits that tradition without committing to a single decade: read it as 1960s Pop Art, 1980s Memphis, or 2020s Mexican folk modernism according to the rest of the outfit. Our broader fashion jewellery selection extends the warm-bright palette into matching earrings and stacking bracelets.
The triangle frames and chain are silver-tone plated zinc alloy. The enamel is hand-poured into raised silver frames, sealed, and resistant to everyday wear. The fuchsia and coral pigments use stable enamel formulations that hold their hue under sunlight better than older 1970s neon enamels. To keep the colour vivid:
| Chain length | 20 cm + 8 cm extension |
|---|---|
| Worn range | 20 to 28 cm |
| Number of triangles | 5 enamel + 4 polished silver connectors |
| Triangle size | 1.5 to 2 cm wide at base |
| Palette | Fuchsia + coral + red + orange-red gradient |
| Metal finish | Silver-tone plated |
| Style | Geometric colour-block / Memphis-Mexican folk modern |
Are the fuchsia and coral colours bright in person?
Yes. The enamel has a slight wet-translucent quality that intensifies the warm pigments compared to flat printed colour. Under direct sunlight the fuchsia reads almost magenta, while the coral keeps a softer warm tone.
Will the enamel chip on the triangle corners?
The triangle corners are the most exposed points, but the enamel is poured into raised frames that protect each edge. Normal wear is fine; the main risk is dropping the piece onto a hard surface.
What length is best for a boat-neck top?
With the extender at full length (28 cm) the triangle row sits just above the neckline of a standard boat neck, parallel to the collar line. For high necklines, shorten by 4 to 6 cm using the extender clasp.