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A cat sits facing forward, round head above a teardrop body, both covered in clear rhinestones. What changes the look is the metal beneath them: a rose tone rather than a white one, warm enough to push the stones towards champagne.
Three black stones stand in for the eyes and the nose, and the whiskers are engraved straight into the metal. A small white bow sits between the ears, and a white tail curls up the right-hand side. The charm stands 6 cm without its fittings, on a split ring and a swivel lobster clasp.
The clasp is the part you handle every day. It swivels on its own axis, so the cat turns back to face outwards instead of staying twisted against a strap, and keys go onto the split ring rather than onto the clasp itself. At 6 cm it stays visible on a bag handle without being the heaviest thing on the ring. That makes it as much a bag charm as a keychain, on anything from the bag range, from totes to crossbody styles.
Turn the cat over and the rhinestones disappear. The reverse is bare metal cut through with small hearts, across the head and the body alike, so what you are holding is a shell rather than a solid casting. Those cut-outs do collect dust, and a cloth drawn over them lifts very little of it; a dry, soft brush reaches inside far better. Water is the one thing to keep away from it, since it sits under the stones and dulls the claws that hold them.
Four colours do all the work on this charm, and each one keeps to a patch of its own instead of blending into the next.
| Clear | Rhinestones across the head and the body |
|---|---|
| Black | Two stones for the eyes, one for the nose |
| White | Enamel bow between the ears, enamel tail |
| Rose gold-tone | The settings, the engraved whiskers and the whole reverse |
Two parts stay out of the glitter and give the eye somewhere to rest: the bow between the ears and the tail curling up the flank. Both are smooth opaque white enamel, with a faint iridescence on the bow that shifts with the angle. Against rose-toned metal that white reads soft rather than sharp, which is why the charm sits more easily against tan and brown leather than against hard black. Next to the other small animal charms in the key chain section, it is the warmth of the metal that marks it out.
Data sheet