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A silver-coloured keyring shaped like a high-heeled shoe, open at the toe, with the upper built from a row of straps. Every other strap is a darkened ribbed band; the ones in between are set with clear rhinestones.
Four small black flowers run along the outer edge, each with an iridescent stone at its centre, and heart-shaped hollows are punched into the straps and across the toe. The shoe measures 4.5 cm without the attachment and hangs from a swivel clasp on a wide flat ring.
Small charms often lose their shape once they are hanging off a bunch of keys. This one keeps its outline. The heel stays thin and sharply angled, the toe opening is cut wide enough to stay visible, and the straps run in even bands from the ankle to the tip. That rhythm of matte ribbing against bright stone is what makes the figure legible: you read "shoe" from a few steps away, not only once it is in your hand. At this size the silhouette does the talking, and the detail rewards a closer look afterwards.
| Shape | High-heeled shoe, open toe |
|---|---|
| Length | 4.5 cm without the attachment |
| Colour | Silver-coloured metal |
| Decoration | Ribbed straps and rows of clear rhinestones, punched heart shapes, four black flowers with iridescent centres |
| Fastening | Swivel clasp on a wide flat ring |
Turn the charm over and the pattern changes. The face you see in profile is all ribbing and stones; the outer face swaps the ribbing for hearts, hollowed into the collar, into each strap and into the toe. Along its edge sit the four black flowers, the only colour on the whole piece, their centres shifting between pink and green as the light moves. Since that is the side that faces away from the bag, it is the one people actually notice.
Stones cover almost every surface, which means a lot of tiny gaps for grit to settle into. A dry cloth over the straps now and then brings the sparkle back, and a soft dry brush reaches the hollows a cloth will skip. Keep the charm away from perfume and hand cream, which leave a dull film on the metal, and unclip it before it goes into a bag rather than letting it rub against everything inside.
The aisle it comes from is split down the middle between metal charms and small plush toys. This shoe sits firmly on the metal side: nothing soft, nothing cuddly, just a hard bright shape worn like a piece of bag jewellery. If the soft half appeals more, the other half of the aisle is right beside it.
The same taste for sparkle carries on elsewhere in an outfit, over with the scarves, brooches and hair pieces, if you like bag and hair to match.
Data sheet