Fan pattern scarf in shades of green adorned with gold details

What the fan print looks like up close

Each fan is built from a row of short strokes, with a slim leaf set in the middle of the arc. The arcs overlap in bands, so the eye reads them as a tiled roof rather than as separate motifs. The gold fans are scattered instead of grouped, so they lift the print without crowding out the ecru ground.

Wearing it without bulk

Loose works better than tight: a slack knot, ends left uneven, and the fans stay readable all the way down. Greens read best against plain colours, so cream, natural linen, raw denim and off-white all let the print stand out. If folding appeals more than wrapping, the squares you fold instead work just as well in the hair or around a bag handle.

A long scarf of 90 x 180 cm in 100% viscose

Length is what changes the way you wear it. A square gets folded; this one gets wrapped, and a single full turn still leaves long ends in front. In 100% viscose, the fabric stays light under a collar, and the weave is fine enough to let a little light through where the ground is palest.

Washing and storing viscose

Viscose dislikes hot water and the spin cycle. Washed by hand in cold water, then dried flat in the shade, the scarf keeps its drape and the sharpness of its greens. Press on the reverse at a low setting if creases have set, and store it open rather than folded along the same line every time.

The long shape in a range built around squares

Three pages of the scarf range are organised around squares: the 140 x 140 cm four-print square, the 55 x 55 cm cotton bandana, and the squares gathered with no fixed size. This model sits on the long side instead, where the fabric is wrapped rather than folded. Both sides are listed together in the full scarf range, long and square, with the size and composition given on every page.