Leopard scarf with gold details

€14.00
Tax included

A leopard print on an off-white ground, where part of the spots have been printed in metallic gold rather than caramel. The rest of the pattern works on two tones only, solid black and matte caramel.

The piece is rectangular and worn lengthwise: one turn at the neck, two ends falling down the front. The cloth is thin and the edge is closed by a narrow rolled hem, with no fringe.

Quantity
Last items in stock

A long rectangle, not a square

Start with the shape, because it decides everything else. This one is long and rectangular, so it needs no folding before you put it on: in the photograph it takes one turn at the neck and leaves both ends hanging to the bottom of the bust. A single turn, a loose knot or a straight throw over the shoulders all follow from that. If you would rather fold a piece into a triangle before knotting it, the square cuts have their own section.

The edge: a narrow rolled hem

Follow the border on the photograph and you will see a thin white roll running all the way round, stitched down. Nothing is left raw, and nothing is added either: no fringe, no beading, no contrast binding. It is as quiet as a finish gets, which on a print this busy leaves the spots to do the work.

Three tones make this leopard scarf read pale

The whole palette comes down to three: off-white, black and caramel, with the metallic standing in for the caramel here and there. Nothing else is added on top, which is why this one behaves like a light accessory rather than a statement piece. Knowing that in advance saves a lot of guessing in front of a wardrobe.

From the whole to the detail

The table below runs in that same order, from the overall shape down to the way the cloth falls, so you can stop wherever your question is answered.

The scarf in six lines
ShapeRectangle, worn lengthwise
GroundOff-white, close to ivory
SpotsSolid black and matte caramel, in broken rings
GoldMetallic, visibly grainy, on part of the spots
EdgeNarrow rolled hem, no fringe
FallFine folds, loose ends

Where the gold catches the light

Hold the cloth still and the metallic spots pass for a slightly deeper ochre. Move it, and a dozen of them light up at once while the ones that turn away go olive and almost bronze. That is the whole trick, and it depends on where you stand rather than on anything the scarf does: the surface is grainy enough to break the light into points instead of returning it flat.

Folds that stay fine, foil included

Nothing in the way it falls suggests weight across the shoulders, and nothing stiffens where the metallic areas fall: the printed gold creases with the rest instead of sitting on top of it. The ends hang straight rather than buckling, and the folds at the neck stay short and tight rather than bulking into rolls. For a sense of how far the choice goes, there is the rest of the range, print by print.

NMD-1454-KESL-249094-38
1 Item

Data sheet

Colour
Brown

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