A long rectangular scarf printed with a hand-drawn scene: a girl in a green dress facing an oval mirror, butterflies, a camera and a few words brushed across a soft peach ground. Brown bands patterned with white chevrons run the full length, and knotted fringing finishes both ends.
At 180 x 68 cm in polyester, it sits open across the shoulders like a stole, or wraps twice round the neck once the weather turns.
The first thing to know is the shape. This is a rectangle, not a square, and a generous one: the fabric falls rather than sits, so it drapes over a coat instead of bunching at the collar. The polyester is light enough to fold into a bag and come out without a crease line down the middle, which matters more than it sounds if you carry it through the day and put it on in the afternoon.
Sixty-eight centimetres across is wide enough to cover both shoulders and stay there. One hundred and eighty down its length is enough for a full loop with the ends still hanging in front, or for a single throw over one shoulder with the fringing reaching the hip. Those two numbers decide the look more than any styling advice does.
| Dimensions | 180 x 68 cm |
|---|---|
| Fabric | 100% polyester |
| Edges | brown bands with white chevrons, running lengthways |
| Ends | knotted fringing in brown and peach |
| hand-drawn illustration on a peach ground, two separate scenes |
One half is laid out like a travel journal: envelopes, a clock, a half-open window, small framed pictures and the word Sweet brushed in large letters. The other half holds the mirror scene, where the girl sees herself from the front and from behind under the word Candy. Nothing repeats between the two, so whichever half you leave showing changes what people actually look at.
Both long edges carry a solid brown band marked with a row of white chevrons. They frame the drawing when the scarf is open and, more usefully, they are what you see when it is rolled: wrapped twice, the scarf reads as brown and apricot with barely any of the illustration left on show. The fringing is knotted in the same two tones and hangs loose rather than tight, so it moves.
Peach sits easily beside camel, cream and off-white, which all stay in the same warm family. The brown edging picks up tan leather and boots in the same range. If you want the drawing to be the thing people notice, a plain dark coat works better than another print competing beside it: black or forest green will do. The green of the painted dress is the one colour worth echoing somewhere smaller, in a jumper or a bag.
There are more drawn designs worth comparing among the other printed pieces in this range, in shorter cuts as well as long ones.
If a shorter shape suits you better, the neighbouring aisle keeps the squares you can knot close to the neck, which answer a different need from this long stole.