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A 120 x 120 cm large square scarf in soft viscose, on a deep khaki ground with gold-and-ivory ethnic prints in the ikat tradition: rows of diamond-and-rosette motifs in the centre, geometric ikat borders in pale grey with darker green over-print, and hand-knotted corner tassels in green and gold. The safari-leaning warm-palette take on the ethnic-bandana square scarf, sized for the linen shirt and the canvas jacket rather than the city black coat.
This 120 x 120 cm square scarf takes the bandana-scarf vocabulary scaled up to a daily-wear format (which Promod, Pull&Bear and Maje have all published in printed silk over the last decade) and translates it into the warm khaki-and-ivory palette that traditionally lives in the safari-boho wardrobe. The deep khaki viscose ground is printed with ethnic motifs in the ikat tradition: rows of diamond-and-rosette repeats in the centre, with the diamond outlines rendered in gold metallic ink and the inner fills in ivory and pale ochre. Two geometric ikat borders frame the centre in pale grey with darker green over-print, the colour shift typical of the resist-dye ikat technique. Hand-knotted corner tassels in green and gold finish the perimeter. The 120 cm format is the size at which the scarf works as a neck wrap, a triangle shawl or a hair-band, sized for the safari-style wardrobe rather than the city black-coat wardrobe.
The khaki ethnic scarf has a different reading from the black version: it lives in the safari-and-boho register that runs from Anthropologie and ME+EM through to Mara Hoffman, the wardrobe that lives around a canvas trench, a linen shirt, a denim skirt and a leather brogue rather than the city-black-coat wardrobe. Worn folded around the neck under a canvas safari jacket, the khaki tone reads as a natural extension of the jacket. Folded into a triangle over a white linen shirt for a summer-into-autumn day, the gold ikat print catches the eye without disturbing the otherwise calm palette.
Canvas trench + folded neck wrap: the canonical safari-leaning daily wear. Linen shirt + triangle fold at the chest: the summer-into-autumn pairing where the gold ikat lifts the white. Denim skirt + bow at the neck: the festival-influenced weekend pairing. Leather brogue and corduroy trousers + draped over the shoulder: the menswear-borrowed autumn look. Other scarves: square scarves, four-sided scarves, scarves.
Fabric: 100% viscose, lightweight and fluid, hand-applied gold metallic print for the diamond outlines and the inner ikat detail, screen print in ivory and pale grey for the borders. Hand-knotted green and gold corner tassels. Care: hand wash cold or machine wash on a delicate cycle inside a mesh laundry bag, avoid bleach, iron at low temperature on the reverse if needed, do not tumble dry.
| Dimensions | 120 x 120 cm square |
|---|---|
| Fabric | 100% viscose, lightweight |
| Design | Deep khaki ground with gold-and-ivory ethnic ikat print: central rows of diamond-and-rosette motifs, two geometric ikat borders in pale grey with green over-print |
| Finish | Hand-applied gold metallic print, hand-knotted green and gold corner tassels |
| Care | Hand wash or delicate machine wash, no tumble drying, low-temperature iron on the reverse |
Ikat is a resist-dye textile technique originally from South and Southeast Asia (notably Indonesia and India) where threads are dyed before weaving, producing a characteristic blurred edge to each geometric motif. The print on this scarf is not a true woven ikat (it is a printed reproduction of the look) but the diamond-and-rosette motifs and the pale-grey border with darker over-print reproduce the visual signature.
Khaki sits in a slightly different palette than navy or black: it pairs more naturally with stone, ivory, brown leather and tan suede than with the all-black evening wardrobe. Worn over a navy jacket, the khaki reads as a textural contrast (which works for a sportier look). Worn over an all-black outfit, the khaki softens the look but stays slightly outside the palette. For tone-on-tone reading, pair with canvas, linen and leather brogue.
Same 120 cm square, same viscose-and-gold-print technique, three palettes for three wardrobes. The khaki version is built for the safari-and-boho wardrobe; the black for the city-black-coat wardrobe; the blue for the indigo-block-print wardrobe that lives between Jaipur reference and modern French-blue tailoring.
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