A long wallet cut from printed cork, its flap covered in rosettes that run orange, brick red and midnight blue above a band of bare cork.
It shuts with a tab and a press stud, and opens onto a taupe lining with gussets and a zipped pocket. Size 20x10.50 cm, from Systyle Paris.
This is the long format rather than the fold-over kind, so the first thing it settles is where the notes go. At 20x10.50 cm it takes banknotes lying flat, and it stays slim enough to stand against the side of a bag instead of bulging in the middle. If you want to see how that compares, the wallets that fasten with a tab sit beside the shorter shapes in the same section.
Open it and the inside turns plain: a smooth taupe lining with no print on it at all, and a central panel of bare cork that divides the wallet into two gusseted halves. Those gussets are where cards and folded receipts end up. The contrast is plain enough: the busy side stays on the outside.
Between the two halves runs a zipped pocket for coins, closed by a small pull. Keeping change behind a zip is what stops it spilling into the gussets, and on a long wallet that is the detail you notice at the till.
| Material | Cork, printed on the outside and left bare on the central panel |
|---|---|
| Pattern | Rosettes in a lattice of pointed ovals, orange, brick red, ochre and midnight blue |
| Fastening | Vertical tab with a gold-tone press stud |
| Inside | Taupe lining, gussets, central zipped pocket |
| Size | 20x10.50 cm |
| Colour | Multicoloured |
The print is not a scatter of flowers. Each rosette sits inside a pointed oval, and the ovals interlock across the whole flap, outlined in a dark navy that holds the warm colours together. Underneath, a band of bare cork flecked with gold breaks the pattern and shows what the material actually looks like. The back carries the same lattice from top to bottom.
The fastening is a single vertical strip cut from the same printed cork and fixed with a gold-tone metal press stud. It folds down over the pale band, so the pattern stays readable on either side of it. Nothing hooks or buckles, which is why the closed wallet keeps an even thickness and lies flat.
The autumnal tones of the print do their best work against something plain. A camel or black bag lets the rosettes read properly, and the wallet becomes the one piece of colour you pull out. It also sits happily next to a matching coin purse among the smaller pieces that carry cards and coins.