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Look at this Ernest watch from above and the first thing you notice is the rigid silver bangle, broken up by wide round discs in glossy black. Those are the dots its name refers to.
The case holds a large black disc that behaves like a mirror and turns pale grey wherever the light lands. A small off-centre white dial sits on top of it, carrying the hours.
The band is one continuous hoop of polished silver-tone metal: press it and it springs back instead of folding. Between the wide round black discs the connecting pieces are flat strips rather than articulated links, and a few of the discs are left bare, so they work as small mirrors of their own. Where the hoop curves away from the wrist in the second image you can see the links are flat rather than rounded, which is what keeps the whole thing sitting still instead of rolling. The crown is small and ridged, tucked close to the case at three o'clock so it stays clear of a sleeve. The rest of the range puts these two parts together quite differently, as which faces and which bands sit together elsewhere in the line-up will show you.
At arm's length the white circle no longer reads as part of the face: it looks like a separate object resting on the black, and only close up do you see that both are printed on one surface. That white dial sits slightly high of centre and carries black Arabic numerals from 1 to 12, the ERNEST signature and the word QUARTZ. Two black hands travel across it. The time therefore lives on one bright island, sharply cut out of the dark, which makes a glance at the wrist unambiguous.
A mirror is only interesting when there is something for it to catch, so leave the wrist clear around it. Against a black polo neck the disc does the job of a necklace. With a pale denim shirt and cuffed trousers it reads as more of a graphic detail than jewellery. One practical point: a rigid hoop will not slide under a narrow cuff, so this is a sleeves-up watch rather than a boardroom one.
A dry soft cloth takes the haze off the discs and the black face, both of which hold fingerprints far more readily than brushed metal does. Put the watch on last and take it off first, and store it face up. Once it does stop, here is what you need to swap the cell without marking the back.
Six rows, each pointing at something you can check in the images above.
| Case | Round, polished silver-tone bezel |
|---|---|
| Face | Large lacquered black disc, mirror effect, pale grey reflections |
| Telling the time | Small off-centre white dial, black Arabic numerals, two hands |
| Printed markings | ERNEST and QUARTZ, on the white dial |
| Band | Rigid silver-tone bangle, round discs in black and bare metal |
| Colour on file | Silver and black |