Silver keychain with little bunny in grey dress

What actually holds this rabbit to the keys?

Three parts sit above the figure, and each does something different. The flat round ring threads onto a key fob. Below it, the lobster clasp opens one-handed, which is what lets the charm move to a bag handle and back again. Between clasp and rabbit there is a small swivel link, so the figure turns instead of twisting whatever it hangs from.

A silver-tone rabbit charm, clear above and grey below

The stone work is split in two, and that is what gives the piece its depth. Ears and crown carry tightly packed clear stones that catch the light as the keys move. The dress then shifts to rows of anthracite grey, quieter, running in even lines to the hem. One square red stone sits between the two as the nose, and it is the only colour anywhere on the charm.

Nothing set on the reverse

Turned over, the rabbit shows the underside of the settings: hollow cups pressed into silver-tone metal, empty, with the ears solid on both faces. This is the face that takes the daily rubbing against keys, and there is nothing on it to lose.

Height, metal, stones, fitting, reverse

On keys, on a strap, or down in a pocket

Where it ends up changes how it behaves. On a fob in a coat pocket the rabbit lies flat against the keys and the bare back takes the wear. Clipped to a bag handle it hangs clear and turns on its swivel, and the grey rows come forward against pale leather while the clear ears are what you notice against black. At this height it does not drag a strap out of shape. It sits in a drawer of little cast figures and soft characters, worth a look before choosing.

If it is the rabbit rather than the metal that appeals, the same animal comes in cloth: its cousins stitched in tulle and lace stand fourteen to twenty centimetres and are made to hang outside a bag.