Black knitted gloves with a scattering of white pearls and rhinestones across the back of the hand, while the palm and the fingers stay plain. The cuff is ribbed and folds back on itself where the sleeve ends.
One size, wool and acrylic in the knit, fleece lining inside: the sparkle sits in one place and nowhere else.
The decoration sits in a single panel on the back of the hand, running from the cuff to the base of the fingers. White pearls in two sizes are set among smaller rhinestones, packed closer in the middle and thinning out towards the edges. Everything else is matte black knit, which is why that panel catches the light at all. Put them next to the other knitted pairs in the section and the difference shows straight away.
| Colour | Black |
|---|---|
| Knit | Wool and acrylic |
| Lining | Fleece |
| Size | One size |
| Decorated area | Back of the hand, white pearls and rhinestones |
Hands do a lot of the talking through a winter day: wrapped round a cup, gripping a handrail, lifted to point at something. That is precisely where the beaded panel sits. With the fingers curled the sparkle all but disappears into the black; with the hand open or raised it reads from the other side of a room. Nothing announces itself until the hand moves.
Turn a glove over and there is nothing on it: no pearls, no rhinestones, only flat knit under the fingers. That plain side is the one that meets everything you touch, so the decoration never snags on a coat pocket or a bag lining and the pair stays a pair of gloves rather than an evening accessory.
The cuff is knitted in ribbing and turned back on itself, doubling the thickness at the wrist just where a sleeve stops. Over the fingers the knit is finer and closer, and that is what lets one size cover most hands without bagging at the tips. If the rest of the outfit is dark, a plain knitted beanie from the same section keeps everything reading as one piece.
Data sheet