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A 120 x 120 cm large square scarf in soft viscose, built on the bandana-scarf vocabulary scaled up from the classic 50 cm format. Deep black ground printed with gold ethnic motifs: a central panel of diamond-and-dot rosettes, an outer frame of paisley scrolls and small floral medallions, four striped gold borders, and hand-knotted gold corner tassels with small beaded heads. The Liberty-style ethnic bandana in an oversized 120 cm format that lets it work as a neck scarf, a head scarf or a shoulder shawl.
This 120 x 120 cm square scarf takes the bandana-scarf vocabulary that Oliver Bonas, Next and Liberty London have continued to publish each season and scales it up from the classic 50 x 50 cm pocket-bandana format. The deep black viscose ground is printed with gold ethnic motifs organised in three concentric rings: a central panel of diamond-and-dot rosettes (the classic block-print diamond medallion that ran from Indian Ajrakh textiles into the bandana-scarf tradition), an outer frame of paisley scrolls and small floral medallions (the Liberty-archive vocabulary applied in metallic gold on black), and four striped gold borders that frame the whole composition. Hand-knotted gold corner tassels with small beaded heads finish the perimeter. The 120 cm format is the size at which a bandana-style scarf stops working as a head-wrap and starts working as a neck scarf or a small shoulder shawl, the size that Maje, Sandro and Soeur use for their printed silk scarves.
The bandana-style ethnic print has been a staple of the printed-scarf wardrobe since the 1990s, but in the 2020s it has shifted from the small 50 cm cowboy bandana to the larger 100 to 130 cm square that you can fold around the neck, drape over the shoulder or knot around the handle of a tote bag. This 120 cm format hits that sweet spot. Worn folded around the neck under a black wool coat, the bandana motifs read as a single decorative collar. Folded into a triangle and worn shawl-style over a knit jumper, the scarf becomes a small evening shawl. Knotted around the strap of a tote bag, it works as a graphic accent for an otherwise plain bag.
Black wool coat + folded neck wrap: the canonical winter daily wear, the bandana print reads as a discreet collar. Leather jacket + triangle fold at the chest: the bandana-style nod to the rock-evening look. White shirt and high-waisted trousers + knotted neck: the menswear-borrowed day look that lifts an otherwise plain outfit. Tote bag handle + bow-knot: the graphic accent for a leather day bag. Other scarves: square scarves, four-sided scarves, scarves.
Fabric: 100% viscose, lightweight and fluid, hand-applied gold metallic print for the diamond rosettes, paisley scrolls, floral medallions and striped borders. Hand-knotted gold corner tassels with small beaded heads. Care: hand wash cold or machine wash on a delicate cycle inside a mesh laundry bag, avoid bleach, iron at low temperature on the reverse if needed, do not tumble dry.
| Dimensions | 120 x 120 cm square |
|---|---|
| Fabric | 100% viscose, lightweight |
| Design | Deep black ground with gold ethnic-bandana print: central diamond-and-dot rosette panel, outer paisley scrolls and floral medallions, four striped gold borders |
| Finish | Hand-applied gold metallic print, hand-knotted gold corner tassels with small beaded heads |
| Care | Hand wash or delicate machine wash, no tumble drying, low-temperature iron on the reverse |
A larger scarf in bandana style. The classic cowboy bandana sits at around 50 x 50 cm and is sized for the pocket and the head wrap. This 120 x 120 cm format takes the same diamond, paisley and striped-border vocabulary and scales it up so the scarf works as a neck scarf, a triangle shawl over the shoulders or a tote-bag accent. Maje and Sandro have been publishing scarves in this size for years as their printed-silk-square format.
The gold metallic print is bonded to the viscose and holds well under cool hand wash or delicate machine wash inside a mesh bag. Avoid bleach and high-temperature ironing on the printed side; iron on the reverse at low temperature if the viscose needs a refresh after wear.
Same 120 cm format, same viscose-and-gold print technique, three different palettes for three different wardrobes. The black version is built for the all-black or dark-wardrobe day-to-evening transition. The khaki version is built for the warm-palette safari-leaning wardrobe. The blue version uses an indigo ground for the Jaipur block-print reference. Choose by palette rather than by personality.
Data sheet