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A long wallet built from straw, worked into chevron rows that shift tone from band to band. Beige and ecru hold most of the surface, with khaki, brown and a scatter of silver-grey breaking it up. The zip travels the full outline on a camel tape, and a black tassel hangs from the pull. It stays slim enough to lie flat in a bag rather than sit up on edge.
Hold it at arm's length and the whole thing reads as one warm neutral. Come closer and the black separates out: a handful of dark strands caught in the weave, then the tassel on the pull, which is the one piece of unbroken black on the wallet. Even its metal cap turns gold rather than dark. Everything else stays in the beige, ecru and khaki family, and the data sheet lists the colour as multicoloured.
The chevrons run horizontally, one row stacked on the next, and none repeats its neighbour exactly. One leans olive, the next pushes ecru forward, a third lets a silver-grey strand catch the light. That drift is what keeps the surface from looking printed, and it shows best when the piece is held up against the other wallets on the same shelf.
The trim stays in the same warm register. Gold-toned metal teeth sit on a camel tape that follows the outline of the wallet, so the edge reads as part of the weave rather than as hardware bolted on. Run the zip open and the inside turns dark: a black lining edge to edge, split by a central panel into two flat compartments, with a camel face left visible along one flank. Nothing beyond that is documented. Across the four photographs there is no zipped coin pocket and no cut card slot to be seen.
| Closure | Zip all the way round, gold-toned teeth, camel tape |
|---|---|
| Charm | Black tassel with a gold-toned cap, fixed to the pull |
| Material | Woven straw |
| Pattern | Chevrons in horizontal bands |
| Colours | Beige, ecru, khaki, brown, silver-grey and black strands |
| Inside | Black lining, central dividing panel |
Straw usually arrives with the summer and leaves with it. A neutral one does not. A format this flat, with no dominant tone, carries into autumn without looking out of season, and it survives the move from a beach bag to a work tote without a second thought. That puts it at the quiet end of the shelf, alongside the other small pieces that live in a bag.
Straw takes badly to water and to hard rubbing. A dry brush worked along the weave lifts the dust that settles between the strands, and storing the wallet flat, away from a radiator, keeps the weave from loosening.
Data sheet