Short handles for the crook of the arm, a strap that comes off in a second, and a check that runs white, navy, black and olive across the front. A small gold plate sits between two buckled tabs.
The body measures 30x24 cm and 11 cm front to back. It stands on its own, rests on four metal feet, and carries a zipped pocket on the back panel.
The two navy handles rise from gold D-rings and give a 12 cm drop, enough for a wrist and a coat sleeve. The longer strap clips onto the sides with two gold snap hooks and comes away without tools, so the same bag reads as a hand-carried shape one minute and a cross-body the next. Nothing about the swap is fiddly. Anyone comparing options can line it up against the other checked and printed shapes in the same aisle before deciding.
Set it on a desk and it does not slump. The panels hold their corners, the base stays flat, and four gold feet keep the underside off the surface. That firmness is what the 0.855 kg empty weight buys: a body with enough structure to stay upright rather than a soft pouch that folds around whatever is inside.
Every metal part shares the same warm gold finish: the D-rings at the handles, the pin buckles on the two front tabs, the rivets holding those tabs down, the engraved plate at the centre, the zip pull on the back pocket and the four feet underneath. The tabs are decorative rather than functional, and the main opening runs the full width of the top on a zip.
| Width | 30 cm |
|---|---|
| Height | 24 cm |
| Depth | 11 cm |
| Handle drop | 12 cm |
| Empty weight | 0.855 kg |
A check this graphic does the work that a plain bag cannot: it lifts a navy coat, breaks up double denim, and stops an all-black outfit reading flat. The navy block down the middle of the front picks up the handle colour, which is why the pattern never looks bolted on. At 30x24 cm it sits well above an evening clutch and just below the everyday carry-all formats, and it is filed under the aisle that gathers bags, wallets and small accessories.