Floral sunglasses seen head on, arms folded behind the purple gradient lenses
    Wide square frame printed with coral flowers and teal foliage, arms open
    Reverse of the frame, plain glossy black with no pattern at all
    Side view of the printed arm, broad at the hinge and tapering to the tip
    Floral sunglasses seen head on, arms folded behind the purple gradient lenses
    Wide square frame printed with coral flowers and teal foliage, arms open
    Reverse of the frame, plain glossy black with no pattern at all
    Side view of the printed arm, broad at the hinge and tapering to the tip

    Floral fashion glasses

    €9.90
    Tax included

    The frame front is what you notice first: wide, deep from top to bottom, and covered edge to edge with coral flowers and teal foliage over black. Nothing about it is discreet.

    So what keeps it wearable? The lenses, which shade from a deep purple at the top to a much lighter tone near the lower edge, and the inside of the frame, which is plain glossy black. Closed, the arms sit entirely behind the lenses.

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    Oversized square sunglasses with a wide printed front

    The front is square with softened corners, and above all it is a wide, deep front: both rims are generous from top to bottom, and the print runs across them, over the bridge and out to the hinges without leaving a single plain patch. That is why the colour registers before the shape does, even from the far side of a room. Turn the pair over and you get exactly the opposite: the inner face carries no pattern at all, only glossy black, so the print belongs to the side other people see and never to the side facing you.

    Where the top line dips and where it lifts

    Open the arms and the upper edge shows a line of its own: it dips at the bridge and lifts at the temples, while the lower edge of each rim stays almost straight. The gap between those two lines is what stops a frame this size from looking blunt, and it is the detail most easily missed in a front-on photograph. Look along the top edge rather than at the lenses and the curve becomes obvious straight away.

    What each part of the frame shows

    Part by part, what the four photographs show
    FrontPrinted across the whole surface, flowers in coral and red, foliage in teal, a few yellow strokes on black.
    Top edgeCurves down at the bridge, rises again towards the temples.
    LensesPurple, darkest along the upper edge, clearing towards the bottom of each rim.
    Arms, outer faceSame print as the front, broad at the hinge and tapering towards the tip.
    Arms, inner facePlain black, as is the whole reverse of the frame.

    Wearing a printed frame without a clash

    At a garden centre on a Sunday morning, with a plain jacket and a canvas bag, this pair does the talking on its own. Black, cream and denim leave the coral to work; a teal knit answers the foliage instead, and a yellow scarf picks up the smallest strokes in the print, the ones you only see close up. What you want to avoid is a second pattern anywhere above the waist. When the light goes, the arms fold flat behind the lenses and the whole pair takes up little more room than the lenses themselves. If you would rather compare widths first, look at the plain frames on the same rail.

    For the rest of the outfit, keep the metal quiet: a slim watch that stays out of the way suits this frame far better than a wide cuff.

    NMD-1268-LUN-3079
    2 Items

    Data sheet

    Colour
    Multicolour

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