Fancy glasses with blue-gray shades

€9.90
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Look along the outer edge of either lens. The gold does not stop at a corner fitting: it follows the curve from high on the lens down to a rounded tip at the bottom. A thin gold bar links the two lenses, and behind them the arms turn brown with a printed grain.
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Blue-grey sunglasses with a gold strip down each outer edge

Most fronts of this kind keep their metal to a minimum: a bridge, two small fittings at the corners, and that is the lot. This pair spends it differently. On each side a slender gold piece starts high on the lens, follows the outer curve the whole way and finishes in a rounded tip near the bottom corner. The metal traces the whole outline rather than dotting it. Head-on, that strip is the only continuous line on the front, because the lens is held without anything running round it. To see how other fronts solve the same problem, browse the rest of the frames filed alongside this one.

Where the gold actually sits

Three places, and no more. The longest run is the strip down each outer edge. The bridge between the lenses is a thin bar with a shallow curve, low enough to leave the brow clear. The rest is the pair of small fittings that grip the lens at its corners, tucked so close under the strip that they barely read as separate parts. Everything behind the front is brown, with a grain printed the length of the arm, and no gold returns at the tip.

What a long edge of metal does that a corner fitting does not

When the metal sits only at the corners, the shape you read is whatever the lens has been cut to, and the edge itself stays bare. Here the gold draws part of that edge for you. The two halves of each lens therefore do not read the same way: the inner half is plain glass against the face, while the outer half has a bright line following it down. It is a small asymmetry, and it is what the eye picks up first, before the blue at the top or the grey underneath.

Matching it to your other metal

Gold this visible sets a rule for everything else. Steel or silver at the wrist will read as a second colour competing with it, not as a neutral, because a strip of that length behaves like a feature rather than a fitting. It is simpler to keep all the metals in one family, and it matters more here than it would with a discreet rivet at the corner. If you want to carry the same tone further down, look at the dials that pick up the same gold.

NMD-1282-LUN-9016
1 Item

Data sheet

Colour
Blue / Grey

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